Y’all know Nuñez Daughter is all about black latinidad, Afrolatinos, Afro-Latin America, histories of slavery and the experiences of black people all across the African diaspora? That’s part of the reason you’re here–right?
Let’s hope so. Because me, Tony Stark (Anthony Otero), La Bianca (Bianca Laureano) and La Republica Detroit (Violeta Donawa) have formed like Voltron–if Voltron knew how to cook arroz and collard greens with platanos and ran new media projects on the side.
I like Tony’s intro so I’m gonna steal it from his blog:
We are of the mind set that neither of us can educate alone. All of us on this team believe that alone we can only reach just a few people, but together we can be extraordinary. So when we formed, it was out of the belief that @beingafrolatino was bigger than all of us. Over that last few months we have been working together on twitter and over tumblr to educated awareness and show the injustices of discrimination….
Meet the team!
Anthony Otero is Puerto Rican and Ecuadorian that was born and raised in the Bronx, NY and currently a staff member at Syracuse University. He is one of the co-founders of The LatiNegr@s Project. A constant writer, he is currently working on his first book of poetry called “My Twisted Life Through Lines of Poetry” set to come out in 2012 and created the blog Inside My Head.
As one of few Latino administrators at Syracuse University, he become an adviser to many Latino students and Latino student organizations. Anthony also helped create the Latino Heritage Month celebrations that still occur today. He took graduate courses in Cultural Foundations of Education and finally understood that what it means to be Afro-Latino after soul searching through research papers. This sparked the creation of all his blogs including the newly retitled Tumblr site: Black, Brown, and a little Mestizo. He also created the @beingafrolatino twitter account as a way to promote and unite Afro Latinos.
Bianca I. Laureano is a first generation Puerto Rican sexologist living in NYC. Raised in the Washington, DC area in an activist environment, Bianca is the daughter of an artist and educator and a product of the public school system. In the field of sexuality for over a decade, Bianca has worked with and taught youth of Color, working class communities, speaks at national and international organizations advocating sex-positive social justice agendas. She has presented both locally and internationally on various topics concerning activism, Latino sexual health, feminisms, youth and hip-hop culture, Latinos and race, Caribbean cultural practices and sexuality, dating and relationships, curriculum development, reproductive justice and teaching.
She’s a board member at the Black Girl Project, doula with The Doula Project, co-founder of The LatiNegr@s Project, and Monster Girl. Bianca is an instructor and a freelance writer and was awarded the 2010 Mujeres Destacadas’ Award (distinguished woman) from El Diario/La Prensa for her work in sexual health. She hosts the website LatinoSexuality.com and identifies as a LatiNegra, media maker, radical woman of Color, activist, sex-positive, pro-choice femme. Find out more about Bianca by visiting her website BiancaLaureano.com. Follow her on Twitter and Tumblr@LatinoSexuality
Violeta Donawa is a Detroit native, born to a Panamanian father and African American mother. As a doctoral student, she examines racial ideologies and paradigms, as well as the impact of social media on identification processes. She has two publications, entitled, “Exploring the Afro-Latino Presence: The Afro-Panamanian Experience in Michigan” in the journal, Negritud: Revista De Estudios Afro-Latinoamericanos and “Defining and Documenting Afro-Latin America” in the journal, Latin American and Caribbean Ethnic Studies.
Raising visibility of the AfroLatin@ community has always been a passion. She has found multiple ways to integrate this passion into her everyday life through academia and social media. As a freelance writer and emerging blogger, she has contributed to the Voices from Our America ™ project, volunteered with The AfroLatin@ Forum, written for www.vidaafrolatina.com, and runs her blogLa Republica de Detroit.
Kismet Nuñez is a black and Puerto Rican woman of color insurgent who deploys 21st century forms of art, autobiography, and performance against the discursive terrain of race, sex and personality. With the help of new media, Kismet breaks herself into pieces to become more than her parts in a revolutionary act of defiance, affirmation & self-care. Kismet is a blogger, writer, student, teacher, researcher, historian, fangirl, lover, sister, daughter and everything in between. In 2008, she foundediwannalive productions, a social media collective specializing in radical black gyrl media, political education, sex positive empowerment and complete and utter disruption of the archive, academy and hu-MAN-ity as we known and understand it. iwannalive productions manages #AntiJemimas, a social media performance project.
Begun in 2010 out of an earlier blog project exploring self love (and hate) titled Self Care: Revise, Revise, Revise, the #AntiJemimas project is about infinite literacies, multiple beings and the conundrum of trying to build a real black gyrl in a world of 21st century digital engagement. The project’s goal is to circumvent the oppressive power of the iconic that traps woc bodies, sexualities and genders into roles labeled Only or Never. Today, #AntiJemimas has evolved into an online universe of blogs, Tumblrs and Twitters committed to the very hard work of building a real gyrl of color in a world of new media. You can find Kismet fomenting rebellion at Zora Walker, making gris-gris in the WOC Survival Kit, living on a distant star as the Sable Fan Gyrl, stroking her thighs asPretty Magnolia, or twiddling her thumbs on Twitter. Kismet also blogs at Nuñez Daughter, the base blog for #AntiJemimas. Founded in May 2008, Nunez Daughter is an experiment in digital autobiography and archive. It expands on thoughts formulated in a research paper titled, “‘I’m On to You:’ Troubling Performances of Race, Gender and Class.”