Naomi Campbell Photographed by Seb Janiak in “Lighted Darkness” for Glamour Boys Inc
Magic is a funny thing.
At a brunch meeting with Allied Media Conference folks, one of the attendees commented on making IT more accessible: “because everyone starts from zero.” When we began sharing stories about bad experiences with tech support, Macforums and Genius Bars, someone else remarked: “It’s like magic. They wave their hands and its fixed. But you don’t know how they got there.”
Genius Bars are on par with the DMV on my list of Least Empowering Places To Go.
Rodney McMillian Untitled, 2005 Carpet 139 x 178 x 114 in. (353 x 452 x 289.6 cm)
Today I stopped and stared at a carpet.
I was at the @CorcoranDC’s 30 Americans exhibit. I’d just passed through a gallery featuring works by Carrie Mae Weems, Glenn Ligon and William Pope.L. But now a carpet dominated the entire length of one wall, with a single strip of tattered and stained material extending into the path of patrons, guarded by black, rubber bumpers: Rodney McMillian’s, Untitled (2005).
I’d originally passed it by. How does an old, ugly carpet compare to Carrie Mae Weem’s portraits? Or Glen Ligon’s Mirror (2002)? Or Nina Chanel Abney’s caricatures? Granted, Abney’s twisting lines and bright circus carnival colors assaulted me if I focused too closely. And the topics were strange. Ghosts emerged from dress ties and the tails of animals. Jagged teeth gaped and spread into red, wet smiles. Disturbing. But interesting.
Y’all know Nuñez Daughter is all about black latinidad, Afrolatinos, Afro-Latin America, histories of slavery and the experiences of black people all across the African diaspora? That’s part of the reason you’re here–right?
Let’s hope so. Because me, Tony Stark (Anthony Otero), La Bianca (Bianca Laureano) and La Republica Detroit (Violeta Donawa) have formed like Voltron–if Voltron knew how to cook arroz and collard greens with platanos and ran new media projects on the side.
I like Tony’s intro so I’m gonna steal it from his blog: